POEM
At a seminar in July 2010, I presented new ways to think in terms of music temperaments, mentioning how phase/pitch cancellation may have had some part in the development of harmony and as well the idea of looking at pitches as a spatial distances.
For that occasion I sonified “POEM” by the visual artist Sigurður Guðmundsson as an example of pitches as spatial distances.
Right click the link above and click “save linked content as” to download the application (only works on Mac)
